We need to change our perception of the labor market value of skills gained through study of Fine Arts and Humanities. With tuition costs so high, can we blame college students (or their parents) for choosing the more lucrative majors in Science, Technology, Engineering, and Mathematics (STEM) disciplines? Can something be done concurrent with a Program for Disabled Artists to fix the problem with tuition debt and high ...more »
2. Education and Job Training for Artists and Arts Administrators
What ideas do you have for the arts field (arts organizations, arts service organizations, arts agencies, and arts funders) and the arts education field (schools, community arts education, conservatories, and universities) to ensure full inclusion for youth and adults seeking training in the arts field?
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I am a theatre artist living and working in Louisville, KY. Many people in the arts community here desire more diversity and inclusion. How can those in the disability community who are willing to help offer practical, logistical recommendations for small, non-profit arts organizations? How can we all, as a national arts community, pool our resources to help each other with things that have worked? From audition notices ...more »
Art and Artisan training with community artists sharing skills to produce art products for sale in an effort towards earned income
Movement classes in the preforming arts need integration for people with disabilities, i.e. dancing in a wheelchair, technical theater, directing, acting, singing, etc. This requires accreditation of specific classes (in academia) and a change in administrative mindsets, i.e. yes, students with disabilities CAN preform and do so along with their non-disabled classmates. There are hundreds of examples of preforming groups ...more »
How do people become artists? Most often they were arts consumers first--audience members. But when the arts--the performing arts, visual art, media--are inaccessible, you have cut off an important avenue for people who have disabilities who could become professional artists. For instance--I work with audio description (AD), making all manner of art forms accessible to people who are blind. If a young person doesn't ...more »
Replicate a fellowship program for arts leaders with disabilities. There is a great program at the Greater Baltimore Cultural Alliance (the Urban Arts Leadership Program) that focuses on empowering the leadership of young people of color in the arts. "The Program offers professional development, networking opportunities, and paid Fellowship placements to aspiring arts administrators. ***Equally important***, UALP offers ...more »
It would be nice to have a website (open to all) that exhibits artists with disAbilities work. This site could be an educational tool and a place where aspiring young artists with disAbilities could connect with role models and receive mentoring.
This is probably a very simple item but one that isn't done often enough. Include Disability. For arts organizations, arts service organizations, arts agencies, and arts funders, when doing outreach, creating programs, projects, or funding the same please: 1. SPECIFICALLY include disability in the list of "diversities" welcome to apply (beyond women, minorities etc). Use the word. 2. Do outreach to places and groups ...more »
not an intensive, but a place where classes are available to learn new skills and also focus is placed on having a supportive environment with pharmacy runs.
many of the residencies I find are too isolated to allow for trips to the pharmacy or are outside of my home state where my medicine is paid for.
just a couple things to consider.
At the college level, I'd like to see smaller class sizes. Colleges are impacted and sometimes the course is too fast or too many people talking. Many young adults with disabilities have difficulty being assertive. I need to find more classes addressing work-related social skills. You know, engaging in "water cooler talk" instead of just talking about what interests them.
Museums in this country still hold Native cultural artifacts in their collections. NAGPRA doesn't cover Canadian artifact stolen from the families of Native Americas covered by the Act. The Seattle Art Museum is a prime example. In his book Letters Home, Frank Boas describes the grave robbing he performed. The federal government needs to end this loop hole. In its place, replicate what the Makah Tribe of Washington State ...more »
I'm a student with a disability currently attending an arts college. While art has great potential as a career for those with disabilities, the present educational and gallery system makes it very hard for outliers like the disabled to succeed. Different schools may obviously vary tremendously in terms of work ethic and general culture, but in many art and design colleges a culture of overwork and subjective grading ...more »